Bruna Karla - Toró Lyrics

Toró Lyrics


Estavam rindo de Noé
Ninguém acreditava nele
O bom Noé não desistiu
Continuou fazendo a arca

E o casal de animais
De cada espécie
Noé no barco colocou
E saiu pelas ruas falando da chuva
Mas ninguém acreditou

Foi um toró, toró, toró
E foi um toró, toró, toró
Quando o dilúvio desceu
O fim do mundo se deu
Mas Noé salvou a sua casa

Foi um toró, toró, toró
E foi um toró, toró, toró
Quando o dilúvio caiu
A Terra inteira sumiu
Noé já tinha feito a arca

Estavam rindo de Noé
Ninguém acreditava nele
O bom Noé não desistiu
Continuou fazendo a arca

E o casal de animais
De cada espécie
Noé no barco colocou
E saiu pelas ruas falando da chuva
Mas ninguém acreditou

Foi um toró, toró, toró
E foi um toró, toró, toró
Quando o dilúvio desceu
O fim do mundo se deu
Mas Noé salvou a sua casa

Foi um toró, toró, toró
E foi um toró, toró, toró
Quando o dilúvio caiu
A Terra inteira sumiu
Noé já tinha feito a arca

Foi um toró, toró, toró
E foi um toró, toró, toró
Quando o dilúvio desceu
O fim do mundo se deu
Mas Noé salvou a sua casa

(Foi um toró, toró, toró)
E foi um toró, toró, toró
Quando o dilúvio caiu
A Terra inteira sumiu
Noé já tinha feito a arca


Toró

Toró Song Meaning, Biblical Reference and Inspiration

"Toró," performed by Bruna Karla and released in 2019, presents a powerful musical rendition of the biblical account of Noah's Ark, drawing directly from the narrative found in the book of Genesis. The song captures the essence of Noah's unwavering faith and obedience amidst widespread skepticism and ridicule from those around him. It begins by depicting the scene where people mocked Noah and disbelieved his warnings about the impending flood. Despite the mockery, Noah's commitment to building the ark, as instructed, remained resolute.

The lyrics then describe Noah diligently carrying out the task, gathering the animals in pairs and actively spreading the message about the coming rain. This highlights Noah's role not just as a builder but also as a messenger, warning others of the impending judgment. However, the song emphasizes that his words were met with disbelief, illustrating the isolation and challenge inherent in walking a path of faith when it contradicts popular opinion or understanding.

The core of the song culminates in the description of the "toró," a Portuguese word signifying a downpour or torrential rain. The repetition of this word, "Foi um toró, toró, toró," underscores the dramatic and overwhelming nature of the flood when it finally arrived. The song portrays this event as a sudden, catastrophic deluge that engulfed the entire world, marking "o fim do mundo" (the end of the world) for those outside the ark. This stark contrast highlights the consequence of ignoring the warning and the reality of divine judgment as depicted in the biblical narrative.

Crucially, the song emphasizes the outcome for Noah and his family: "Mas Noé salvou a sua casa" (But Noah saved his house). This line powerfully conveys the theme of salvation through obedience and preparedness. While the world outside vanished beneath the waters, Noah, having completed the ark according to divine instruction and filled it, was safe. The ark itself becomes a symbol of refuge and salvation, built through faith and perseverance.

Through its narrative structure and focus on the contrast between the world's disbelief and Noah's faith, followed by the dramatic arrival of the flood and the resulting salvation of Noah's family, the song "Toró" serves as a contemporary reflection on themes of faith, obedience, perseverance in the face of opposition, divine warning, and ultimate salvation. It draws parallels to the Genesis account (Genesis 6-9), specifically highlighting God's command, Noah's faith and labor, the world's rejection, the catastrophic flood, and God's preservation of Noah, his family, and the animals within the ark. The song ultimately inspires listeners to consider the importance of listening to warnings, preparing for future events, and remaining steadfast in faith, regardless of external pressures.

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